A Descriptive Bibliography of Edmond Hoyle

Copyright © 2014-26 by David Levy

(page updated 2013-11-08)User Guide


Hardie.US.1

Hoyle Made Familiar, W. Mather, first edition, 1839.

Title: HOYLE | MADE FAMILIAR, | OR | A COMPANION TO THE CARD TABLE. | CONTAINING AN ACCURATE DESCRIPTION | OF | [fifteen lines to left of rule ] WHIST | QUADRILLE | PIQUET | QUINZE | VINGT-UN | CASSINO | PUT | ALL FOURS | POPE JOAN | THIRTY-ONE | BRAG | COMMERCE | EARL OF COVENTRY | LANSQUENET | LOO | [fifteen lines to right of rule] | ECARTE | CRIBBAGE | FIVE AND TEN | PHARO | ROUGE ET NOIR | MATRIMONY | REVERSIS | CONNECTIONS | SPECULATION | SNIP, SNAP, SNORE’EM | BOASTON | CATCH THE TEN | COMMIT | LIFT SMOKE | LOTTERY | WITH THE | Rules & Practice | as admittted by the most fashionable | esatblishments in the united kingdom. | BY | EIDRAH TREBOR, ESQ. | [short rule] | NEW-YORK: W. MATHER, 42 DIVISION-STREET, | [short rule] | 1839.
Collation: 24o: π4 A–D8 [E]8 F–G8 H4 [$1 signed]; 64 leaves, pp. [i–viii], [1] 2–119 [120]
Contents: Signature (Page) Reference Contents Signature (Page) Reference Running Titles
π1r (i) title
π1v (ii) blank
π2r (iii) ‘ADVERTISEMENT. | [...] | E. T. | Edin. 1st April 1838.’
π2v (iv) ‘ADVERTISEMENT TO THE AMERICAN | EDITION. | [...] | 42 Division street, N. Y. | 1839. | [colophon]’
π3r–π4r (v–vii) ‘CONTENTS. | [...]’ π3v–π4r (vi–vii) ‘CONTENTS.’
π4v (viii) blank
A1r–A1v (1–2) ‘COMPANION | TO THE | CARD-TABLE. | [...]’ A1v (2) ‘ARTIFICES OF SHARPERS.’
A1v–A2r (2–3) ‘[...] | HISTORY OF CARDS. | [...]’ A2r (3) ‘HISTORY OF CARDS.’
A2r–A2v (3–4) ‘[...] | [explanation of terms] | [...]’ A2v (4) ‘EXPLANATIONS.’
A3r–B6v (5–28) ‘WHIST. | [...]’ A3v–B6v (6–28) ‘WHIST.’
B7r–B7v (29–30) ‘[...] | THREE-HAND WHIST. | [...]’ B7r (29) ‘THREE-HAND WHIST.’
B7v–B8r (30–31) ‘[...] | CATCH THE TEN, | Sometimes called Scots Whist. | [...]’ B7v–B8r (30–31) ‘CATCH THE TEN.’
B8v–C2v (32–36) ‘[...] | BOASTON. | [...]’ B8v–C2r (32–35) ‘BOASTON.’
C2v–C5r (36–41) ‘[...] | QUADRILLE. | [...]’ C2v–C4v (36–40) ‘QUADRILLE.’
C5r–C7v (41–46) ‘[...] | REVERSIS. | [...]’ C5r–C7r (41–45) ‘REVERSIS’
C7v–D3v (46–54) ‘[...] | PIQUET. | [...]’ C7v–D3r (46–53) ‘PIQUET.’
D3v–D6r (54–59) ‘CRIBBAGE. | [...]’ D3v–D5v (54–58) ‘CRIBBAGE.’
D6r–D8r (59–63) ‘[...] | FIVE-CARD CRIBBAGE’ D6r–D7v (59–62) ‘FIVE-CARD CRIBBAGE’
D8r–E1v (63–66) ‘[...] | CASSINO. | [...]’ D8r–E1r (63–65) ‘CASSINO.’
E1v–E2r (66–67) ‘ALL FOUR. | [...]’ E1v–E2r (66–67) ‘ALL FOUR.’
E2v–E3r (68–69) ‘PUT. | [...]’ E2v (68) ‘PUT.’
E3r–E4v (69–72) ‘[...] | FIVE AND TEN. | [...]’ E3r–E4r (69–71) ‘FIVE AND TEN.’
E4v–E7r (72–77) ‘[...] | THREE-CARD LOO.’ E4v–E7r (72–77) ‘LOO.’
E7r–E7v (77–78) ‘[...] | FIVE-CARD LOO.’
E7v–F1r (78–81) ‘[...] | BRAG. | [...]’ E7v–E8v (78–80) ‘BRAG.’
F1r–F2r (81–83) ‘[...] | VINGT-UN, OR TWENTY-ONE, | [...]’ F1r–F1v (81–82) ‘VINGT-UN.’
F2r (83) ‘[...] | QUINZE. | [...]’ F2r (83) ‘QUINZE.’
F2v (84) ‘THIRTY-ONE | [...]’
F3r (85) ‘SNIP, SNAP, SNORE 'EM. | [...]’
F3r–F3v (85–86) ‘[...] | COMMIT. | [...]’
F3v–F4r (86–87) ‘[...] | POPE JOAN | [...]’ F3v–F4r (86–87) ‘POPE JOAN.’
F4v (88) ‘MATRIMONY. | [...]’
F4v–F6r (88–91) ‘[...] | LOTTERY. | [...]’ F5r–F5v (89–90) ‘LOTTERY.’
F6r–F6v (91–92) ‘[...] | SPECULATION. | [...]’ F6r (91) ‘SPECULATION.’
F6v–F7v (92–94) ‘[...] | COMMERCE. | [...]’ F6v–F7r (92–93) ‘COMMERCE.’
F7v–F8r (94–95) ‘[...] | LIFT SMOKE. | [...]’ F7v (94) ‘LIFT SMOKE.’
F8r (95) ‘[...] THE EARL OF COVENTRY. | [...]’ F8r (95) ‘THE EARL OF COVENTRY.’
F8v (96) ‘CONNEXIONS. | [...]’
F8v–G1r (96–97) ‘[...] | LANSQUENET. | [...]’ G1r (97) ‘LANSQUENET.’
G1v–G4v (98–104) ‘FARO, OR PHARO. | [...]’ G2r–G4r (99–103) ‘FARO, OR PHARO.’
G4v–G6r (104–107) ‘[...] | ROUGE ET NOIR. | [...]’ G4v–G6r (104–107) ‘ROUGE ET NOIR.’
G6v–H1r (108–113) ‘ECARTÉ | [...]’ G7r–G8v (109–112) ‘ECARTE.’
H1r–H4r (113–119) ‘[...] | SHORT WHIST. | [...]’ H1r–H4r (113–119) ‘SHORT WHIST.’
H4v (120) blank
Plates: Frontispiece engraving: Two couples at card table with two females spectators. Below is a quotaion from Dr. Johnson, “I am sorry I have not learned to play at cards, it is very useful in life: it generates kindness and consolidaates society.”
on G6r(107) woodblock: a tapis or cloth covering the Rouge et Noir table
Publisher: W. Mather
Printer: Vincent L. Dill (colophon)
References: Rather 145
Colophon: ‘Stereotyped by Vincent L. Dill, 128 Fulton Street.’
Other Copies: GEU [2013 768]; NvLN [GV1243.T74 1839]

Home